Daphne farrago biography definition
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Even Steele was surprised by The Tatler’s reception: ‘That paper was advanced indeed! For it was raised to a greater thing than I intended it!’ He had discovered that people wanted analysis of behaviour with their news; someone with wit, style and humour to take the temperature of the day.
And oddly, because humanity is the subject, this ‘trivia’ has dated less than the ‘proper’ news of the time, be it the ins and outs of the Battle of Blenheim or Whig party infighting. Take Bickerstaff ’s words on gambling addiction: ‘There appeared no middle condition; the triumph of a prince, or the misery of a beggar, were his alternate states’. Or the joylessness of critics: ‘He never looks upon anything but with a design of passing sentence upon it; by which means, he is never a companion, but always a censor’. He studied the Bath scene, the essence of good drama, the futility of duels, the stupidity of those who believed in witches, the ‘toast’ – a forerunner of the It girl – and the coquette. Of the latter, he wrote: ‘the chief person present has all her regards. And she, who giggles at divine service, and laughs at her very mother, can compose herself at the approach of a man of a good estate’. Who hasn’t met her? Or felt this, about love: ‘The whole is a game of cross purposes. Th
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Ceilings of the Natural History Museum, London
Decorated ceilings
A pair of decorated ceilings in the main Central Hall (officially Hintze Hall since 2014) and smaller North Hall of the Natural History Museum in South Kensington, London, were unveiled at the building's opening in 1881. They were designed by the museum's architect Alfred Waterhouse and painted by the artist Charles James Lea. The ceiling of the Central Hall consists of 162 panels, 108 of which depict plants considered significant to the history of the museum, to the British Empire or the museum's visitors and the remainder are highly stylised decorative botanical paintings. The ceiling of the smaller North Hall consists of 36 panels, 18 of which depict plants growing in the British Isles. Painted directly onto the plaster of the ceilings, they also make use of gilding for visual effect.
The natural history collections had originally shared a building with their parent institution the British Museum, but with the expansion of the British Empire there was a significant increase in both public and commercial interest in natural history, and in the number of specimens added to the museum's natural history collections. In 1860 it was agreed that a separate museum of natural history would be created in a larg
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