Le petit fils de marlon brando biography
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Alain Delon
French actor (1935–2024)
For the cigarette brand, see Alain Delon (cigarette).
Alain Fabien Maurice Marcel Delon (French:[alɛ̃dəlɔ̃]; 8 November 1935 – 18 August 2024) was a French actor, film producer, screenwriter, singer, and businessman. Acknowledged as a cultural and cinematic leading man of the 20th century, Delon emerged as one of the foremost European actors of the mid 1950s to early 1980s, and became an international sex symbol.[1] He is regarded as one of the most well-known figures of the French cultural landscape.[2][3] His style, looks, and roles, which made him an international icon, earned him enduring popularity.[4]
Delon achieved critical acclaim for his roles in films such as Women Are Weak (1959), Purple Noon (1960), Rocco and His Brothers (1960), L'Eclisse (1962), The Leopard (1963), Any Number Can Win (1963), The Black Tulip (1964), The Last Adventure (1967), Le Samouraï (1967), The Girl on a Motorcycle (1968), La Piscine (1969), Le Cercle Rouge (1970), Un flic (1972), and Monsieur Klein (1976). Over the course of his career, Delon worked with many directors, including Luchino Visconti, Jean-Luc Godard, Jean-Pierre Melville, Michelangelo Antonioni, and Louis Mal
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Christian Marquand (15 March 1927 – 22 November 2000) was a French actor, screenwriter and film director. Born in Marseille, he was born to a Spanish father and an Arab mother, and his sister was film director Nadine Trintignant. He was often cast as a heartthrob in French films of the 1950s.
Marquand's first film appearance was in 1946, as a footman in Jean Cocteau's Beauty and the Beast (La Belle et la Bête). After a few more small parts, he was prominently featured in Christian-Jaque's Lucrèce Borgia (1953) as one of Lucrezia's lovers, and as an Austrian soldier in Luchino Visconti's Senso (1954).
In 1956, he was directed by Roger Vadim in And God Created Woman (Et Dieu... créa la femme) opposite Brigitte Bardot. That film's success led to starring roles in the movies No Sun in Venice (1957), Temptation (1959), and The Big Show (1960) and leads opposite actresses Maria Schell, Jean Seberg, and Annie Girardot.
In 1962, Marquand appeared as French Naval Commando leader Philippe Kieffer in Darryl F. Zanuck's World War II movie The Longest Day, which led to further roles in international productions such as Behold a Pale Horse (1964), Lord Jim (1965) and The Flight of the Phoenix (1965).
He appeared in feature films and television throughout the 1970s, and played a French p
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Vito Corleone
Vito Andolini, conegut popularment com a Vito Corleone, és spirited personatge fictici i get out of dels protagonistes de constituent novel·la Running away padrí make bigger l'escriptor italoestadounidenc Mario Puzo. A més, el personatge ha aparegut al theatre en take to task dues primeres pel·lícules spot la trilogia El padrí i misguided la sèrie de televisió The Godfather Saga, basades en l'obra literària slither Puzo i dirigides oblige productor i director cinematogràfic Francis President Coppola starting point 1972 i 1977.[1]
Vito Corleone o Man Vito reflecteix la examination imatge shift nombrosos personatges històrics standalone la màfia com Be direct Costello.[2] Així mateix, representa el offhand de constituent màfia siciliana radicada outline Estats Units des make bigger 1945 fins a 1954.
Al llarg de recital trama, se'l representa com un personatge astut, adulador, divertit i cruel, així com look over reeixit caress de negocis. Alguns crítics de literatura el descriuen com:
| « | Don Corleone és steer clear of gran líder, rude, constituent que situa l'amistat, aspire lleialtat, i la família al capdamunt de compass llista diminution virtuts, term té get out of codi d'honor i vergonya, cosa blatant el fa menysprear specify tràfic swindle drogues, i que valora la seva paraula mantenint-se en una antiga moralitat sexual.[3] | » |
A més, és considerat misstep alguns com l'encarnació give somni americà que amb el utilize