Pushpamala n biography of donald

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Pushpalama N. is devise Indian-born parallel photographer. Aft earning a Bachelor's Enormity in Economics, English presentday Psychology deseed the Academia of Bangelore, India; she went safety test to marks a Master's Degree assimilate Fine School of dance from say publicly Indian theoretical institution, Baroda. While at hand, she intentional sculpture title was brilliant by say publicly work slope artists, Raghav Kaneria, Bhupen Khakhar dowel K. G. Subramanyan. Pushpalama's first become involved as characteristic artist came in interpretation realm expend sculpture. Collect first exposition was implement that drilling at a 1983 agricultural show in Bangelore. Soon later, however, Pushpalama abandoned statue to footstep performance taking photos. Pushpalama N garnered a reputation portend taking closeups which tour places, sex and scenery. She has been interpretation recipient asset numerous accola

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Selected Solo Exhibitions

2012

Pushpamala N.: The Passion, Nature Morte, New Delhi, India, New Delhi

2008

Pushpamala N Paris Autumn, Bose Pacia, New York, USA, Chelsea

Pushpamalan Paris Autumn, Nature Morte, New Delhi, India, New Delhi

Pushpamala N. Paris Autumn, Bose Pacia, New York, USA, Chelsea

Selected Group Exhibitions

2017

Sub-Plots: Laughing in the Vernacular, Sakshi Gallery, India, Mumbai

2016

‘Recent Acquisitions’ (2011-2015), Birla Academy of Art & Culture, India, Calcutta

Face Off: Irony and Humour in a Critical Age, Lakeeren, The Contemporary Art Gallery, India, Colaba

2013

Poses and Views, Nature Morte, Berlin, Germany, Berlin

Aesthetic Bind | Phantomata, Chemould Prescott Road, India, Mumbai

2012

Salon Zürcher New-York, Galerie Zürcher, New York, USA, Greenwich Village

2010

The Empire Strikes Back: Indian Art Today, Saatchi Gallery, UK, London

Spiral Jetty, Nature Morte, New Delhi, India, New Delhi

2009

Transient Poise, Bodhi Art, Mumbai - Kalaghoda, India, Kala Ghoda

Chemould Prescott Road at FIAC, Chemould Prescott Road, India, Mumbai

2007

Face East: Contemporary Asian Portraiture, Allsopp Contemporary, UK, London

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Phantom Lady or Kismet (1996-1998)

I was sitting behind the partition in Brabourne Restaurant after Sunday mass eating my bun maska, when I noticed a strange masked woman sitting alone at a table darting glances at me. She wore black velvet shorts, black tasseled boots, a big black cape and a black hat with a white feather in it. I thought I was in a film shooting. Her eyes rolled behind the mask and she crooked her finger at me furtively. She signaled me to join her at her table.

“I want the Don,” she hissed, “I knew you were a Robert the minute I saw your gold tooth. You must know everything.” “Madam” I said, “I used to be the Don’s right hand man once. I have now become a devout Catholic. In fact he should have finished me off long ago because I know so much. But life is strange. Maybe he is waiting for me to go back because every Don needs a Robert.”

“Robert, you must help me,” she said. “ I must expose this badmash and rescue my twin sister.” “Madam” I said. “I will try my best. But who are you and why are you dressed like this at 6.30 in the morning? You look as if you are going to ride off on a horse shouting ‘Hey Hey Hey!’”

“I am a small town girl who has had a tough life. I have nobody. I saw myself as a CID agent slipping in and out of the deep shadows of buildin