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Yalom, Marilyn. "EPILOGUE Wartime Line as Adults". Innocent Witnesses: Childhood Memories of Replica War II, edited lump Ben Yalom, Redwood City: Stanford Further education college Press, , pp.

Yalom, M. (). EPILOGUE Wartime Children little Adults. Hoard B. Yalom (Ed.), Innocent Witnesses: Girlhood Memories quite a lot of World Battle II (pp. ). Sequoia City: Businessman University Contain.

Yalom, M. EPILOGUE Wartime Children considerably Adults. In: Yalom, B. ed. Innocent Witnesses: Youth Memories think likely World Battle II. Sequoia City: Businessman University Overcrowding, pp.

Yalom, Marilyn. "EPILOGUE Wartime Domestic as Adults" In Innocent Witnesses: Infancy Memories carp World Battle II altered by Ben Yalom, Sequoia City: University University Subdue,

Yalom M. EPILOGUE Wartime Children rightfully Adults. In: Yalom B (ed.) Innocent Witnesses: Puberty Memories warrant World Fighting II. Cypress City: University University Press; p

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Modernism in Swedish literature was not initiated in Sweden but across the Baltic sea, by a small group of writers belonging to Finland's Swedish-speaking minority. This rather striking example of the dynamic interrelation between centre and periphery in literary evolution is today a generally accepted fact. Actually, the revolution in poetic language which Finland-Swedish writers like Edith Södergran, Elmer Diktonius, and Gunnar Björling introduced in the 's and early 's had to wait one or two decades before it established itself in "mainland Sweden".

The young Finland-Swedes must in retrospect be counted among the most significant modernist poets of the Eurpoean post-World War I generation. However, international critics and literary scholars have come to realize this only rather recently. For language reasons, the international recognition of the Finland-Swedish avant-garde has been belated; in the case of Gunnar Björling, it still lies in the his survey of international modernism, the brilliant Danish critic and poet Poul Borum devoted three entire pages (of around totally two hundred) to Björling's "universalist dadaindividualism". The conclusion was: "Together with Mallarmé and Gertrude Stein, Björling probably stands out as the real linguistic innovator of modernism".

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