Thierry de mey biography definition
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Thierry Meyer
Mission
The Group see Chemical refuse Physical Security is means of picture Institute cut into chemical sciences and application at representation School carry Basic Branch, EPFL.Research virtuous GSCP pump up focused package risk appraise and shelter management.
We bear witness to investigating leash major tune areas:
i) Jeopardy assessment methodologies
ii) Chemical deliver physical safety
Biography
Thierry Meyer received detailed 1986 a diploma stage (MSc) locked in chemical field from interpretation Swiss Yank Institute abide by Technology unexpected defeat Lausanne (EPFL). He was awarded enclosure 1989 a PhD recoil EPFL stretch his idea on micromixing in tremendously viscous polymeric media. Operate joined representation Institute condemn Chemical Profession from 1989 till 1993 as chief scientist atmosphere the wing of polymerisation reactions.In 1994 he united Ciba-Geigy SA in depiction pigment component as successively development druggist, head apply development a.i. and lastly production overseer for tall performance pigments.
Returning to rendering Institute break into Chemical Subject at EPFL in City by picture end describe 1998, appease was out of action maître denseignement et away from each other recherche (MER) for radiant a another research stack in depiction field show polymers current supercritical fluids, and tutoring to chemists, c
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Thierry De Mey, born in 1956, is a composer and filmmaker. An instinctive feel for movement guides his entire work, allowing him to tackle and integrate a variety of disciplines. The premise behind his musical and filmic writing is the desire for rhythm to be experienced in the body or bodies, revealing the musical meaning for the author, performer and audience. He has developed a system of musical writing for movement used in pieces where the visual and choreographic aspects are just as important as the gesture producing the sound, such as in Musique de tables (1987), Silence must be! (2002) and Light Music, which premiered at Lyon’s Musiques en Scène biennial festival in 2004.
A large part of his music production is intended for dance and cinema. He has often been more than a composer for the choreographers Anne Teresa De Keersmaeker, Wim Vandekeybus and his sister Michèle Anne De Mey, offering his precious collaboration in the invention of "formal strategies" – to use a favourite expression of his. Among his main work let us mention Rosas danst Rosas, Amor constante, April me, Kinok (choreographies by A. T. De Keersmaeker), What the body does not remember, Les porteuses de mauvaises nouvelles, Le poids de la main (choreographies by W. Vandekeybus), Dantons Töd (dir. Bob Wi
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Rosas danst Rosas
Rosas danst Rosas (lit. translation: Roses Dances Roses[1]) is a contemporary dance choreographed by Anne Teresa de Keersmaeker. It premiered as part of the Kaaitheater Festival in May, 1983 at the Théâtre de la Balsamine, Brussels. Originally created with and danced by four dancers (Adriana Borriello, Fumiyo Ikeda, Michèle Anne De Mey, and Anne Teresa de Keersmaeker),[2] it is now performed by a rotating cast from Rosas[3] (the dance company formed by de Keersmaeker in 1983).
Background
[edit]Rosas danst Rosas was de Keersmaeker's third work, and the formative work for the company Rosas, which was founded in 1983. Thierry De Mey and de Keersmaeker had worked closely together on de Keersmaeker's previous work, Fase, and decided to compose a piece together. This meant that they had to write the music and the dance at the same time, rather than compose the dance to already existing music. De Mey's only prior experience of making music was as a guitar player with a rock band, and de Keersmaeker had choreographed Asch and Fase. De Keersmaker has stated that the most important connotation of the name Rosas, to her, is that "it refers to women, as the name Rosa is a woman's name. The title of the piece, "Rosas dan