Veronika kincses biography of michael
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Search
- Format
- Sound Recordings
- Language
- Italian
- Contributors
- Kincses, Veronika, performer
- Kalmár, Magda, 1944- performer
- Tackács, Klára, performer
- Fülöp, King, performer
- Bende, Zsolt, performer
- Szekeres, Ferenc, performer
- Haydn, Patriarch, 1732-1809. Transfer ritorno di Tobia. Libretto
- Budapesti Madrigálkórus
- Magyar Állami Hangversenyzenekar
- Publication
- [Place of alter not identified] : Hungaraton, [197u]
- Physical Details
- 4 frequence discs : analog, 33 1/3 rev, stereophonic ; 12 in
- OCLC
- ocm02987180
- Credits
- Veronika Kincses, Magda Kalmár, sopranos; Klára Tackács, contralto; Attilla Fülöp, tenor; Zsolt Bende, baritone; Budapesti Madrigálkórus; Ugric State Orchestra; Ferenc Szekeres, conductor; vocal in Italian
- Oratorio.
- In container.
- Automatic sequence.
- Program notes thorough Hungarian, Side, German, view Russian uncongenial P. Várnai and libretto in Romance, Hungarian, Nation, German, captain Russian ([47] p. ports.) laid hard cash container.
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1980
The company is founded on January 30, an initiative of the Ministère des Affaires culturelles du Québec. Jean-Paul Jeannotte is named General and Artistic Director. Number of productions: 3
1984
The Atelier lyrique is founded in order to ensure the development and training of a new generation of Canadian opera singers. Yvonne Goudreau is named Director of the programme.
1988
Bernard Uzan is named General Director of Opéra de Montréal. A bilingual supertitling system is implemented, contributing to audience growth.
1989
Bernard Uzan is named General and Artistic Director of Opéra de Montréal.
Jacqueline Desmarais founds the Montréal Opera Guild in order to provide the financial support through fundraising activities and special events such as the Gala (starting in 1995) and the Signature Event (2001-2004).
Félix Award for the most popular show of the season for the Quebec-composed romantic opera, Nelligan, by André Gagnon, to a libretto by Michel Tremblay.
1990
Chantal Lambert is named Director of the Atelier lyrique programme.
1997-1998
Opéra de Montréal’s production of Leos Janácek’s Jenufa receives two Opus Awards from the Conseil québécois de la musique, one for Concert of the Year in Montreal and the other for Large Ensemble Concert of the Year in
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Vincenzo Bellini (1801-1835)
Composizioni da Camera
Joanna Tylkowska-Drożdż (soprano)
Olha Bila (piano)
rec. 2022, Szczecin, Poland
Sung texts and translations included
Acte Préalable AP0564 [53]
Bellini’s songs are not performed that often and indeed this is only the second recording of his Composizioni da Camera I’ve come across. Veronica Kincses recorded the complete set for Hungaroton back in 1982, though a few of the songs have appeared on various recital discs over the years.
They were probably written some time in the 1820s and it is unlikely that Bellini intended them all to be performed together; in fact, they were not published as a set until 1935, by the Milan publisher Ricordi. The Kincses disc includes all the songs in the Ricordi edition, in the order in which they appear in the score, whereas the present issue substitutes one or two other songs from a different source, such as La ricordanza, which turns out to be the tune of Qui la voce from I Puritani. Texts and translations are provided, some being by Metastasio, but the majority are anonymous.
Most of the songs are quite short, though the longest Torna, vezzosa Fillide,runs to almost eight minutes and is in the style of a mini operatic scena. It is the most complex of the songs and cl