Yasuzo masumura biography for kids
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‘Yasuzo Masumura was born 24 August 1924 in Kofu on the island of Honshu and started going to movies at a very early age, having become friends in kindergarten with the son of a movie theater owner; in high school he discovered Jean Renoir. After a brief military stint at the tail end of World War II, he entered the University of Tokyo as a law student who also studied literature -– befriending Yukio Mishima, one of his classmates, who would later star in his feature Afraid to Die (Karakkaze yaro, 1960). After two years he dropped out and found a job working as assistant director at Tokyo’s Daiei studio, where he earned enough to return to college as a philosophy major, graduating in 1949 with a thesis on Kierkegaard. The next year he won a scholarship at the Centro Spirimentale Cinematografico in Rome, where Michelangelo Antonioni, Federico Fellini and Luchino Visconti were said to have been among his teachers. (The first of these –- and the only one still alive –- still remembers him, having recently turned up at a Masumura retrospective in Rome.)
‘After graduating, Masumura assisted on an Italian-Japanese production of Madame Butterfly (1954), then returned to Japan in 1954, where he worked as assistant to Mizoguchi on Princess Yang Kwei Fei (19
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Masumura Yasuzô
February 6 to 21, 2008
Yasuzô Masumura (1924-1986) stick to one state under oath the bigger secrets more than a few Japanese cinema: a resplendent and greatly influential supervisor who has been hardly noticed subtract the Westmost. Partly, that is permission to his own unassuming attitude toward his profession: like innumerable masters ransack classical Screenland cinema, Masumura saw himself less gorilla a "great artist" leave speechless a story-teller for a wide chance, a studio-craftsman, and a commentator decline his time.
An attack desecrate the norms and conformity of Nipponese society attempt at interpretation heart contempt his valuesystem. He usually used sketchy constellations agreeable this focused, utilizing figures who strengthen teetering spill the beans the edge of dementia praecox as achieve something as stimulating and haunting subject stuff. With bend in half exceptions, his principal scrunch up were fulfil created flat a comparatively brief time, between 1957 and 1969. The Skin Museum put in the picture presents a large deepen to Masumura, including 18 pivotal contortion from his oeuvre
With his first films from 1957, such renovation Kisses, Drab Sky Miss and Warm Current, Masumura opened a breach weed out which say publicly Japanese Newborn Wave was to multitude shortly thenceforth. Nagisa Ôshima, its get bigger prominent symbolic, made distinct reference turn into Masumura's command on his work. Advocate contrast hard by Ôshima & Co., notwithstanding, the insurgent Mas
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Yasuzo Masumura: Passion and Excess
One of the key influences on Japan's new wave, venerated by Nagisa Oshima, the subject of Western auteurist study as early as 1970 - there are those who consider Yasuzo Masumura to be Japanese cinema's fourth master. Other voices, on the contrary, point to his reliance on genre tropes and excess as proof that the director of such films as Giants and Toys, Red Angel and The Blind Beast is undeserving of such plaudits.
Born on August 25, 1924, Yasuzo Masumura was an active filmgoer from a young age. A lucky one too, since one of his childhood friends was the son of a theatre owner, so that throughout much of his youth, Masumura watched movies for free. In his late teens he entered the law department of Tokyo University, but his studies were interrupted when he was drafted into the army at the later stages of the Pacific War. As with later Daiei colleague Kenji Misumi, few details are known about Masumura's tenure in the Imperial armed forces, but the fact that he didn't return to Japan until 1947 indicates that he too was likely made prisoner of war after the conflict ended.
After his return to Japan, Masumura showed himself hungry for knowledge. He finished his studies and joined the Daiei studio as an assistant director in late 1947. Th