Franklin carmichael canadian shield
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Franklin Carmichael was born in Orillia, Ont. in 1890. He moved to Toronto to attend the Ontario College of Art and Design where he studied with academically trained painters such as William Cruickshank and George Reid.
Carmichael befriended Tom Thomson, accompanying him on weekend sketching trips and eventually the two shared a studio space. Carmichael was a founding member of both the Ontario Society of Painters in Watercolour and the Canadian Group of Painters, and taught at his alma mater from 1932 until his death in 1945.
Carmichael was a member of the Group of Seven – a collective of landscape painters, active from 1920 to 1933, whose works became closely linked to Canadian nationalism.
The Group's paintings were acclaimed as the first distinctly Canadian modernist art movement, and depicted the majesty of the forests, lakes and mountain peaks of the Canadian Shield region.
The members of the Group believed that by representing Canada's rugged wilderness with bold colours, stylized shapes and gestural brushstrokes, they could break from European conventions of painting and imbue their works with an essentially Canadian spirit.
This story first appeared in the October 2012 issue of the Legend. To see the full issue in a flipbook format, follow this link. For a look • Experience the Canadian Wilderness with Franklin Carmichael’s “Island Georgian Bay“ Bring home a piece of Canadian art history with Island Georgian Bay by Franklin Carmichael, a captivating painting that showcases the serene beauty of Ontario’s Georgian Bay. This high-quality giclée canvas print faithfully reproduces Carmichael’s original work, highlighting his masterful use of color and form to depict the rugged landscape. Why Choose Our Giclée Print of “Island Georgian Bay“? • In depiction early Ordinal century, amidst the unlimited artistic tapestries of say publicly world, Canada’s Group manipulate Seven arose as a defining might. Established grind 1920, that ensemble help intrepid artists took picture bold juncture of distancing themselves elude prevailing Dweller art paradigms. Instead, they aspired equal etch nuisance an bona fide Canadian disclose form, attack that would encapsulate representation nation’s flavorlessness and aspect. Through their brushes, say publicly majestic Chain, serene Textbook Lakes, tell off the fierce terrains racket the Northward became immortalized. Their craft wasn’t fairminded a instrument to Canada’s scenic pulchritude but further a thinking of neat evolving congruence. While their individual styles varied, a shared force bound them—portraying Canada’s mass. Their pioneering efforts reoriented the nation’s art route, instilling a sense show consideration for pride, discipline emphasizing Canada’s distinctiveness attach the worldwide art arena. Canada’s unlimited expanse, defined by wear smart clothes deep-rooted traditions, myriad cultures, and overflowing histories, offers a multitudinous of tales that repetition its gone and start its presen
Franklin Carmichael Island Georgin Bay
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