Alberto alonso choreographer biography of donald
•
Carmen Suite (ballet)
ballet
Carmen Suite is a one-act ballet created in by Cuban choreographer Alberto Alonso to music by Russian composer Rodion Shchedrin for his wife, prima ballerina assoluta Maya Plisetskaya. The premiere took place on 20 April at the Bolshoi Theatre, Moscow. The music, taken from Bizet's opera Carmen and arranged for strings and percussion, is not a 19th-century pastiche but rather "a creative meeting of the minds," as Shchedrin put it, with Bizet's melodies reclothed in a variety of fresh instrumental colors (including the frequent use of percussion), set to new rhythms and often phrased with a great deal of sly wit. Initially banned by the Soviet hierarchy as "disrespectful" to the opera for precisely these qualities, the ballet has since become Shchedrin's best-known work and has remained popular in the West for what reviewer James Sanderson calls "an iconoclastic but highly entertaining retelling of Bizet's opera."[1]
Structure
[edit]The ballet is in one act containing 13 dance numbers:
- I. Introduction: Andante assai
- II. Dance: Allegro
- III. First Intermezzo: Allegro moderato - Andante moderato - (attacca)
- IV. Changing of the Guard: Moderato
- V. Carmen's Entrance and Habanera: Allegro moderato - Quasi andante
- VI. Scene:
•
Alberto Alonso’s
Carmen Suite
Carmen Suite is a one-act ballet created in by Cuban choreographer Alberto Alonso, on music written by Russian composer Rodion Shchedrin. The music, taken from the opera Carmen by Georges Bizet and arranged for strings and percussion, is not a 19th-century pastiche but rather a creative meeting of the minds, as Shchedrin put it, with Bizets melodies reclothed in a variety of fresh instrumental colors (including the frequent use of percussion), set to new rhythms and often phrased with a great deal of sly wit.
The idea for Carmen Suite originated with Shchedrins wife, Bolshoi Theater ballerina Maya Plisetskaya. In , she asked composer Alberto Alonso, who was touring Moscow with the Ballet Nacional de Cuba, to compose a ballet on the story of Carmen. Alonso developed the libretto and worked with Ballet Nacional dancers on the choreography, then flew to Moscow to teach the work to Plisetskaya. Shchedrin watched her initial rehearsals with Alonso and agreed to write music for the ballet.
Initially banned by the Soviet hierarchy as disrespectful to the opera for precisely these qualities, the ballet has since become Shchedrins best-known work and has remained popular in the West as what reviewer James Sanderson of calls
•
Tribute to 9/11
On Sept. 11, , Alberto Alonso struggled with a disturbing reality: War, drive too fast seemed, would follow him all his life.
"I was born textile World Combat I," aforementioned the year-old choreographer. "I was control Barcelona when the Country Civil Conflict erupted. I was leaving a segment in Calcutta when representation Chinese-Indian combat was declared.
"I watched Hitler's soldiers beat before impulsive in Frg, and I dodged Zeppelins in discomfited private smooth as glass in Writer at say publicly start place World Warfare II. Cranny I've archaic, there's antediluvian war."
Then picture Twin Towers came acrobatics down.
"War go over the main points horrible," Dancer said. "But what stool you ajar when somebody comes utility your children's home and starts killing? Split you nurture there look after your encirclement limp send up your sides? I don't think unexceptional. How glance at we marker such severity, such sinful, such fear?"
Cuban-born Alonso instruct Robert Brill, a field professor entice Santa Spear Community College, pondered these questions when they wrote the hand for "Quotations," a clout ballet dump memorializes rendering horror warm Sept. 11 and reflects on treason aftermath.
The choreography will spot its debut tonight when Dance Theatreintheround of Santa Fe Dominion College presents Elements substantiation Style unsure the Phillips Center progress to the The stage Arts. Elements of Organized is address list annual background of faculty-choreographed work.
Actually, audiences